1991 Des Vessies et des Lanternes, curated by Allain D’hooge, Palais de Tokyo, Paris
1989 Photography of Invention, curated by Joshua Smith, National Museum of American Art, Washington
DC. Continued to: The Museum of Contemporary Art, Chicago, Illinois; Walker Museum Of Art, Minneapolis, Minnesota
1988 Vom Landschaftsbild zur Spurensicherung, curated by Reinhold Misselbeck, Museum Ludwig, Koln
1988 Television and Art, curated by Mark Miller, Queens Museum, Queens
1988 The Nature of the Real, curated by Renee Ricardo and Paul Laster, White Columns, New York
2006 The Body in Architecture, ed. Deborah Hauptmann, 010 Publishers, 2006.
2005 "Around the Town", The New Yorker, September 19, 2005.
2005 Johanna Drucker, Sweet Dreams: Contemporary Art and Complicity, University of Chicago Press, 2005, 186-197.
2005 Hans Ulrich Obrist, "Warren Neidich", Spot Magazine of the Houston Center of Photography, Spring
2005.
2005 Wolfgang Fetz and Peter Lewis, Go-Between, exhibition catalogue, Magazin 4 and Bregenzer
Kunstverein, 166-174.
2005 Val Williams, "Photos, Histories, Absurdities," Photoworks, Spring/Summer 2005, 42-47.
2004 Anne Ellegood, "Silent Happenings", Public Execution, exhibition catalogue, Exit Art, 2004.
2004 Jose Jimenez, "Madrid Abierto y Cerrado (Madrid Abierto is Closed)", El Culltural-El Mundo-Arte
Spain, February 12, 2004, 42-44.
2004 Cote Villar, “La Provocacion esta en la Calle (The Provocation is on the Street)", El Mundo Spain,
06.02.2004, 1.
2004 Manuela Villa, "El arte urbano esta de Moda (Arco goes outside of the Pavilions),” El Pais de Las
Tentaciones Spain Arco se sale, 06.02.2004, 24-25.
2004 Miguel Gener, "Arte Contra el Ruido (Art Against Noise)," Photo of Silent El Pais Spain, February 12,
2004.
2004 Susan Hidalgo, “Madrid Abierto Trae a la Capital Nueve Propuestas de Arte Callejero (Madrid Abierto
Brings to the Capital Nine Urban Art Proposals),” El Pais Spain, February 6, 2004, 10.
2004 "Move On Spain Do it yourself Map," Neo 2, February/March, 2004, 65-68.
2003 Manuela Villa, "Madrid Arte Electronico (Madrid Electronic Art)," El Pais de Las Tentaciones Spain,
24.10.2003.
2003 Miyake Akiko and Hans Ulrich Obrist, Bridge the Gap?, program book, Center for Contemporary Art
Kitakyushu.
2003 Christiane Paul, Digital Art, Thames and Hudson, New York, 2003.
2002 Sarah Valdez, "Warren Neidich at the Laguna Art Museum," Art in America, February 2002.
2002 Adrian Dannatt, "Brainy," The Art Newspaper, No.128. September 2002, 26-27.
2001 Henri-Francois Debailleux, "Fiac, la video au premier plan," Liberation, October 2001.
2001 Florent Albrect, "Les galeries a voir absolument," Beaux Arts, October 2001.
1999 Robert Mahoney, "Millennium at Tate," Time Out, No. 201, July 11–July 17, 2001, 52.
1999 Norman Bryson, "Summer 1999 at Tate", essay for exhibition at Tate Gallery, New York City, July
1999, 4-5.
1999 Regine Basha, "Performing Observations; Recent Work by Warren Neidich," Performance Arts
Journal, Spring 1999.
1999 Sue Spaid, "Seeing Eye, Conceptual Art as a Neurobiological Praxis," Village Voice, April 27, 1999.
1999 Roberta Smith, "Conceptual Art: Over and Yet Everywhere," The New York Times: Arts and Leisure,
25.04.1999, 1.
1999 "Critics Pick; Alternative, Alternative," Time Out, April 2-9, 1999.
1999 "Critics Pick; Conceptual Art as a Neurobiological Praxis," Time Out, March 25-April 1, 1999.
1998 Peter Rostovsky, "Recognition: Steffany Martz Gallery," Zingmagazine, No. 224, December 1998.
1998 "'On the Road Again' Jack Kerouac, Photographs by Warren Neidich," The New Yorker, June 22–29,
1998.
1998 Edith Newhall, "Art Feature," New York Magazine, April 28, 1998.
1998 Cathy Lebowitz, "Warren Neidich at Steffany Martz," Art in America, April 1998.
1997 Nancy Princethal, "In the Flow at Franklin Furnace," Art in America, No. 10, October 1997.
1997 Graham Clark, Oxford History of Art: The Photograph, Oxford University Press, Oxford, England,
1997.
1997 Vik Muniz and Luc Sante, Making It Real, exhibition catalogue, Independent Curators International,
New York, 1997.
1997 David Britton, "Mythical America: Warren Neidich Retraces Jack Kerouac’s Footsteps," Creative
Camera, Issue No. 343, December/January 1997.
1996 Robert Sobieszek, Ports of Entry: William S. Burroughs and the Arts, exhibition catalogue, Los
Angeles Museum of Art, 1996.
1996 Hubertus von Amelunxen, Photography after Photography: Memory and Representation in the Digital
Age, Grand Barts, 1996.
1996 "Photography after Photography," Frieze, May 1996, 69.
1996 Robert Mahoney, "Warren Neidich, Pollock Holding a Crow with Alchemy," Time Out, Issue 44, 1996.
1996 Kim Levin, "Art Choices", Village Voice, July 9-16, 1996.
1996 Kim Levin, "Art Short List; Sweat", Village Voice, July 16, 1996, 9.
1994 Susan Kandel, "Slight of Hand," Los Angeles Times, June 9, 1994.
1993 "Unknown Artist," Kunstforum, No. 124, December 1993.
1993 Ulrich Clewing, "Wink mit dem Zaunpfahl," Zitty, October 1993.
1993 Harald Fricke, "Wieder aus der Natur Schoepfen", Die Tageszeitung, June 1993.
1993 Harald Fricke, "Richtige Form, Richtige Farbe, im Richtigen Movement," Die Tageszeitung, June
1993.
1993 Gisela Sonnenburg, "Schmauch...Schrie...das Protokoll," Naives Deutschland, June 1993.
1993 Kim Levin, "Best Bets Art," The Village Voice, February 1993.
1992 Kim Levin, "Bets Art," The Village Voice, April 1992.
1990 Peter Kloehn, "A-historical Williamsburg," Artscribe, No. 80, March/April 1990.
1989 Photography of Invention Joshua Smith, Smithsonian Museum Press, Washington DC, 1989.
1989 Vicki Goldberg, "The Real America," American Photographer, December 1989.
1989 "Spring Preview," New York Magazine, September 12, 1989.
1989 Roger Green, "Party on Julia Street," Art News, No. 6, Summer 1989.
1989 Vince Alleti, "Best Bets Photography," The Village Voice, August 1989.
1989 Altamon Baker, "American History Reinvented," Zoom, No. 155, June 1989.
1989 Vince Alleti, "Best Bets Photography," The Village Voice, May 1989.
1989 Carrington Calas, "Of Baudrillard, Lies and Women," Art Review, May/June 1989.
1989 John Welchman, "Turning Japanese," Artforum, No. 27, April 1989.
Books and Catalogues
2009 Lost Between the Extensivity/Intensivity Exchange, with texts by Sven-Olov Wallenstien, Lia Gangitano, and Freek Lomme, Onomatopee.
2005 Earthling, essays by Barry Schwabsky and interview by Hans Ulrich Obrist, Pointed Leaf Press, New
York, NY.
2003 Blow-up: Photography, Cinema and the Brain, essays by Warren Neidich with introduction by Norman
Bryson, D.A.P. and the University of California, Riverside.
2000 Camp O.J., photographs by Warren Neidich with texts by Charles Steinback and David Hunt, Bayly
Art Museum, University of Virginia, Charlottesville, Virginia
1994 Cultural Residue: Contamination and Decontamination, catalogue with Philip Pocock, Villa Arson,
Nice, France.
1993 Unknown Artist essay by Bodjana Pedjick, Fricke & Schmid.
1991 Historical Intervention catalogue with David Joslit, M.I.T. List Center, Cambridge, Massachusetts.
1989 American History Reinvented, ed. Steve Dietz, photographs by Warren Neidich with essays by Linda
Day, Reinhold Misselbeck, Christopher Philips, Lew Thomas and John Welchman, Aperture
2003 Guest Lecturer, Technical University Delft, Holland
2002 Artbrain.org #2, Launched at the Basel Art Fair
2001 Editor and chief of artbrain.org – launch date, May 31, 2001, WHITE BOX – New York
2000 Guest Lecturer, Vision and the Visionary: Art and Perception in the work of Warren Neidich, panel discussion moderated by Stephen Marguiles with Johanna R. Drucker and Michael Kubovy, Bayle Art Museum of Art – Charlottesville,Virginia
2000 Guest Lecturer, "Visual Ergonomics" College Art Association – New York
1999 Symposium Organizer, "Can Art Investigate the Brain" Participants: Mathew Ritchie, Frank Gillette, Sue Spaide, Natalie Jeremenko, Thread Waxing Space – New York
1998 Guest Lecturer, Graduate Center of City College – Department of Literary Criticism, New York
1998 Guest Lecturer, University of Virginia – Department of Art, Charlottesville, Virginia